@ARTICLE{Wincław_Dawid_Quanto_2020,
 author={Wincław, Dawid},
 number={No 1},
 pages={124-137},
 journal={Kwartalnik Neofilologiczny},
 howpublished={online},
 year={2020},
 publisher={Wydział I Nauk Humanistycznych i Społecznych PAN i Uniwersytet Warszawski},
 abstract={The purpose of this article is to present main literary relations between an Italian novelist and playwright Luigi Pirandello and his compatriot, modern writer Antonio Tabucchi, which manifest themselves primarily in the subject matter taken up by Tabucchi: an identity crisis of a literary character. Comparative analysis of the content of the novels One, No One, and One Hundred Thousand and Pereira Maintains shows, that the ‘disciple’ of Pirandello not only liked to reach for a similar subject matter, but also referred to the poetics used by the Sicilian.},
 type={Article},
 title={Quanto Pirandello (c’è) in Tabucchi? L’influenza di Luigi Pirandello nella narrativa di Antonio Tabucchi a partire dal confronto della construzione dei personaggi di Vitangelo Moscarda (Uno, nessuno e centomila) e di Pereira (Sostiene Pereira)},
 URL={http://ochroma.man.poznan.pl/Content/116092/PDF/2020-01-KNEO-09-Winclaw.pdf},
 doi={10.24425/kn.2020.132855},
 keywords={crisis, identity, Pereira, Moscarda, modernism},
}