@ARTICLE{Garlej_Beata_Restraining_2020,
 author={Garlej, Beata},
 number={No 4},
 journal={Przegląd Filozoficzny. Nowa Seria},
 pages={423-435},
 howpublished={online},
 year={2020},
 publisher={Komitet Nauk Filozoficznych PAN},
 publisher={Wydział Filozofii Uniwersytetu Warszawskiego},
 abstract={Looking at something is considered a fundamental act of awareness. What constitutes its embodied manifestation – the gaze – can be realized as a specific axiological variant of the value of evil. The article is devoted to this particular, closed-in-the‑gaze manifestation of the value of evil in the literary work. The point of reference is identified in two famous epic works: Doctor Faustus by Thomas Mann (1947) and The Kindly Ones by Jonathan Littell (2006). The evil gaze identifies the main characters of either novel, Adrian Leverkühn and Maximilian Aue. Whether the artistic structuring of the evil gaze is presented in the novels with the same means, or perhaps with the use of different tools of literary transmission of axiological content, is the issue lying at the center of considerations. In fact, it is not the only issue, as it is part of a broader reflection on the so-called restraining of values in a literary work in general. (Translated from Polish by Katarzyna Rogalska‑Chodecka)},
 type={Artykuły / Articles},
 title={Restraining the ‘gaze of evil’ in the case of Thomas Mann’s 'Doctor Faustus' and Jonathan Littell’s 'The Kindly Ones'},
 URL={http://ochroma.man.poznan.pl/Content/118084/PDF/2020-04-PFIL-25-Garlej.pdf},
 doi={10.24425/pfns.2020.135082},
 keywords={correspondence of arts, gaze, literary axiology, J. Littell, T. Mann, moral values, music in literature, rhythm, the value of evil},
}