@ARTICLE{Baldacci_Alessandro_“Per_2021,
 author={Baldacci, Alessandro},
 number={No 1},
 pages={5-14},
 journal={Kwartalnik Neofilologiczny},
 howpublished={online},
 year={2021},
 publisher={Wydział I Nauk Humanistycznych i Społecznych PAN i Uniwersytet Warszawski},
 abstract={The article intends to analyze the importance of the encounter with the most dramatic voice of the second half of the twentieth century in Italy, the poet Amelia Rosselli, in the works of Antonella Anedda, in order to show how the acquaintance with Rosselli, started in the early eighties, has turned for Anedda into an intense, creative and human dialogue, aimed at questioning the classic postures of the lyric persona as well as the cliché that connects female poetry with a confessional dimension. The purpose of the article is to show how Anedda, constantly consulting the Rossellian work (with a particular predilection for Diario ottuso, first published in a journal in 1980), recognizes a “sororal magisterium”, starting from which to build a lyric witness, anchored to the choral and ethical dimension of writing.},
 type={Article},
 title={“Per meglio capire l’orrore”. Antonella Anedda in dialogo con Amelia Rosselli},
 URL={http://ochroma.man.poznan.pl/Content/119822/2021-01-KNEO-01-Baldacci.pdf},
 doi={10.24425/kn.2021.137030},
 keywords={Rosselli, Anedda, subjectivity, ethics, chorality, testimony, lyric},
}