@ARTICLE{Rosół_Rafał_Lyric,
 author={Rosół, Rafał},
 volume={Vol. 77 (2022)},
 journal={Meander},
 pages={129-138},
 howpublished={online},
 publisher={Committee on Ancient Culture of the Polish Academy of Sciences, Institute of Classical Studies, Faculty of Polish Studies, UW.},
 abstract={At the entrance to the Grand Theatre in Poznań (built in 1910), there are two sculptural groups: Lyric, represented by a young woman sitting on a lion, by Constantin Starck (1866–1939), and Drama, featured as a young man with laurel wreath striding with a leopard at his side, by Georges Morin (1874– 1950). Both works have not been convincingly explained until now. The author identifies the Lyric as Euterpe, the Muse of lyric poetry, and the Drama as the young Dionysus. The pair put in front of the theatre entrance is modelled on similar artworks elsewhere in Europe, such as the statues at the Teatro Massimo in Palermo and the Konzerthaus in Berlin.},
 type={Artykuł},
 title={Lyric and Drama: sculptural groups in front of The Grand Theatre in Poznań},
 URL={http://ochroma.man.poznan.pl/Content/125518/PDF-MASTER/2022-MNDR-08.pdf},
 doi={10.24425/meander.2022.142253},
 keywords={Poznań, classicizing art, sculpture, Constantin Starck, Georges Morin},
}