@ARTICLE{Matys_Artur_Polaków_2022,
 author={Matys, Artur},
 number={No 6 (375)},
 journal={Ruch Literacki},
 pages={1093-1111},
 howpublished={online},
 year={2022},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={This article is divided into two parts. Part I presents the origins and the research objectives of the authorial project Don Kichot Open Gallery/Don Quijote – galeria abierta. Its first product is a book titled identically to the project and published in collaboration with the POSET Foundation. It contains Miguel de Unamuno’s essay ‘El caballero de la triste figura’ (1896), translated into Polish by Carlos Marrodán Casas, and quality repro-ductions of nearly fifty artworks on the theme of Don Quixote (some of them shown for the first time) produced over a period of over 250 years. The album features the work of thirty Polish artists. Part II presents an interpretation of Marian Nowiński's painting ‘Don K[ichot] trwa dalej. W cieniu 2’ (Don K[Quixote] is still going on: In the shadow 2). A closer examination of this picture reveals a wealth of creative references to the Euro-pean and Polish tradition (Andrea Mantegna, Annibale Carracci, Orazio Borgianni and Jacek Malczewski respectively) and an artistic affinity for the cinema of Grigori Kozints-cev, Orson Welles and Terry Gilliam. The fusion of two aesthetics (painting and film) and diverse styles of painting (Renaissance, Baroque, twentieth-century symbolism) is testi-mony to both Nowiński's erudition and the boldness of his artistic ambition.},
 title={Polaków portret don Kichota},
 URL={http://ochroma.man.poznan.pl/Content/127084/PDF/2022-06-RL-09.pdf},
 doi={10.24425/rl.2022.143009},
 keywords={wizerunek don Kichota, Don Kichot, Miguel de Cervantes, Miguel de Unamuno, Marian Nowiński},
}