Title

Absolute Pitch and Its Frequency Range

Journal title

Archives of Acoustics

Yearbook

2011

Volume

vol. 36

Issue

No 2

Authors

Rakowski, Andrzej ; Rogowski, Piotr

Keywords

auditory memory ; pitch ; absolute pitch

Divisions of PAS

Nauki Techniczne

Coverage

251-266

Publisher

Polish Academy of Sciences, Institute of Fundamental Technological Research, Committee on Acoustics

Date

2011

Type

Artykuły / Articles

Identifier

DOI: 10.2478/v10168-011-0020-1

Source

Archives of Acoustics; 2011; vol. 36; No 2; 251-266

References

Bachem A. (1937), Various types of absolute pitch, Journal of the Acoustical Society of America, 9, 146, doi.org/10.1121/1.1915919 ; Bachem A. (1948), Chroma fixation at the ends of the musical frequency scale, Journal of the Acoustical Society of America, 20, 704, doi.org/10.1121/1.1906428 ; Bachem A. (1955), Absolute pitch, Journal of the Acoustical Society of America, 27, 1180, doi.org/10.1121/1.1908155 ; Deutsch D. (2006), Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speechrelated critical period (L), Journal of the Acoustical Society of America, 119, 719, doi.org/10.1121/1.2151799 ; Makomaska S. (2008), The prevalence of various kinds of absolute pitch in students at Polish music schools [in Polish]. ; Miyazaki K. (1988), Musical pitch identification by absolute pitch possessors, Perception and Psychophysics, 44, 501, doi.org/10.3758/BF03207484 ; Miyazaki K. (2007), Absolute pitch and its implications for musics, Archives of Acoustics, 32, 3, 529. ; Miyazaki K. (2006), Learning absolute pitch by children: A cross-sectional study, Music Perception, 24, 63. ; Parncutt R. (2001), The New Grove Dictionary of Music and Musicians, 1, 37. ; Rakowski A. (2009), The domain of pitch in music, Archives of Acoustics, 34, 4, 429. ; Rakowski A. (2007), Absolute pitch: Common traits in music and language, Archives of Acoustics, 32, 1, 5. ; Rakowski A. (2008), Absolute pitch as a measuring device in psychoacoustic experiments, null. ; Rogowski P. (2010), Pitch strength of residual sounds estimated through chroma recognitions by absolute-pitch possessors, Archives of Acoustics, 35, 3, 331, doi.org/10.2478/v10168-010-0028-y ; Schouten J. (1962), Pitch of the residue, Journal of the Acoustical Society of America, 34, 1418, doi.org/10.1121/1.1918360 ; Takeuchi A. (1993), Absolute pitch, Psychol. Bull, 113, 345, doi.org/10.1037/0033-2909.113.2.345 ; Teplov B. (1947), Psychology of musical talent [in Russian], Editions of the Academy of Pedagogical Sciences RSFSR, Moscow-Leningrad, Polish translation. ; Ward D. (1999), The Psychology of Music.