Title

Perceptually Correlated Parameters of Musical Instrument Tones

Journal title

Archives of Acoustics

Yearbook

2011

Volume

vol. 36

Issue

No 2

Authors

Beauchamp, James

Keywords

musical timbre ; music synthesis ; loudness ; pitch ; duration ; attack ; decay ; spectral envelope ; spectral centroid ; spectral irregularity ; spectral flux ; vibrato ; inharmonicity ; discrimination ; dissimilarity ; multidimensional scaling (MDS) ; timbre transposition ; rms amplitude ; fundamental frequency ; correspondence

Divisions of PAS

Nauki Techniczne

Coverage

225-238

Publisher

Polish Academy of Sciences, Institute of Fundamental Technological Research, Committee on Acoustics

Date

2011

Type

Artykuły / Articles

Identifier

DOI: 10.2478/v10168-011-0018-8

Source

Archives of Acoustics; 2011; vol. 36; No 2; 225-238

References

Beauchamp J. (2007), Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music, 1, doi.org/10.1007/978-0-387-32576-7_1 ; Beauchamp J. (2008), Timbre transposition based on time-varying spectral analysis of continuous monophonic audio and precomputed spectral libraries (abstract), J. Acoust. Soc. Am, 123, 5, 2. ; Beauchamp J. (2002), New spectro-temporal measures of musical instrument sounds used for a study of timbral similarity of rise-time- and centroid-normalized musical sounds, null, 592. ; Beauchamp J. (2006), Multidimensional scaling analysis of centroid- and attack/decay-normalized musical instrument sounds (abstract), J. Acoust. Soc. Am, 120, 5, 2, doi.org/10.1121/1.4777232 ; Dai H. (2008), On suppressing unwanted cues via randomization, Perception & Psychophysics, 70, 7, 1379, doi.org/10.3758/PP.70.7.1379 ; Donnadieu S. (2007), Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music, 272, doi.org/10.1007/978-0-387-32576-7_8 ; Grey J. (1977), Multidimensional perceptual scaling of musical timbres, J. Acoust. Soc. Am, 61, 5, 1270, doi.org/10.1121/1.381428 ; Hajda J. (2007), Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music, 250, doi.org/10.1007/978-0-387-32576-7_7 ; Hall M. (2010), Importance of Spectral Detail in Musical Instrument Timbre, null, 69. ; Horner A. (2006), A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds, J. Audio Eng. Soc, 54, 3, 140. ; Luce D. (1967), Physical Correlates of Brass-Instrument Tones, J. Acoust. Soc. Am, 42, 6, 1232, doi.org/10.1121/1.1910710 ; McAdams S. (1999), Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters, J. Acoust. Soc. Am, 105, 2, 1. ; Miller J. (1975), Perceptual space for musical structures, J. Acoust. Soc. Am, 58, 3, 711, doi.org/10.1121/1.380719 ; Moore B. (1997), A Model for the Prediction of Thresholds, Loudness, and Partial Loudness, J. Audio Eng. Soc, 45, 4, 224. ; Plomp R. (1970), Frequency Analysis and Periodicity Detection in Hearing, 397. ; <a target="_blank" href='http://ems.music.uiuc.edu/beaucham/'>http://ems.music.uiuc.edu/beaucham/</a>